Flummoxed by fences

…and on the next page: ferns!

We seem to be surrounded by them – fences. But what are they really? I’m not turning to the computer glare – too much of that these daze – but rather to the thick, brown, leather-bound tome on a nearby shelf: Webster’s New World Dictionary, 1970.  A beloved holiday gift from my mum to my dad many years ago because he loved words – a legacy that both his children and grandchildren, enjoy. 

Fence: Noun: A protection; defense. A barrier as of wooden or metal posts, rails, wire mesh, etc. used as a boundary or means of protection or confinement.

Protection or confinement. A contemporary allegory for the “fences” we’ve had to put in place over the past year…shelter-in-place, distancing, masking?  Nope.  I’m actually intrigued on this snowy, blue-skied, crystalline day, about the physical fences around me. Why? Well, probably as they’re a visible hardscape that at other times of the year disappear against overflowing green fields, winding roads, gardens, or get lost in dreamy conversations – over a fence.

Our main fence is green and surrounds most sides of the property. Against the main road and down two flanks, it’s all Eastern White Cedar (Thuja occidentalis). Densely planted by the original owner – thanks muchly – it now rises over three meters high. We hire a team to trim it every two years – this as ladders seem increasingly threatening as time goes by. Through the plants, when sitting on the deck or working in the garden, we can see bipeds, assorted quadrupeds, bikes, cars and wagons go by – even a horse or two if we’re lucky. This cavalcade of road travellers all pass unaware of an audience behind the green – unless they hear the music from the deck or the chat remarking on the day at hand or the surrounding community. It’s enough to keep us out there all spring, summer and fall. In winter, like now, warmed inside and facing out through large windows, it’s a veritable nature documentary where birds and squirrels claim the living fence as a place of refuge against the cold and night.  Might be a rabbit or two there as well. Or a barn cat. Or fox. This fence hugs us and defines an understanding of home – where two sides are open to all.

Given that it’s February, the hedge bends heavy under snow, frosted like a great green cake. Protecting that fence is a seasonal marker for us.  Early in December, Pete ambles down to the tippy shed at the far corner of the property, foraging for a clang of iron perforated bars, a heavy-duty hammer and that most useful of fencing tools – not a rapier – a post driver.  Tumbled into a wagon that a neighbour made for us, all is pulled to the end of the driveway where the fence flurry begins.  Measuring out two metres between each post, they run down the road that gets the most snow ploughing of the season.  A temporary fence is then tied once, twice, thrice, to each support that protects the cedar from any wayward whoosh of snow that comes it way.  One year, the only product available was metres and metres of bright orange webbing: “is that art?” asked a confused neighbour.  “Yes. Yes, it is.” We now search high and low for a colour that cannot be abstracted into anything other than function.

A fence can have an obvious transient nature – much like ourselves. A line of branches simply entwined and piled against a growing bed. Or elevated to recognizable regional history with split cedar rails strategically framing a productive field or a welcoming home. I love the culture of wood in this valley, it speaks of generations of honest labour.

Fences can remind us of the historical choices made given the materials at hand.

To simply admire a few rocks, or hundreds piled up, alongside a path, or through a field, negates the work in finding the rocks, moving the rocks and then positioning them just so. It reminds me of the reaction of a local farmer who watched for days as I packed up the trunk of the car with the blessings from the field. Blessings? Those rocks were from inevitable winter heave and right in the way of a plough – a field reality that caused no end of work every year.  Those rocky landscapes may even have worked their way into remarkable and sturdy house walls. But for the gardener with hardscaping on her mind? Nature’s bounty.

Iron fencing echoes permanence and industry – and the lack of it can speak volumes.  One of the first years here, and ready to absorb our new context, a walking tour of the town had us staring at a charming iron fence. However, no fence is really simple – there be stories here. If you see an old one, pre-WWI that is, you know it was missed, or protected, during those years when many were harvested to feed the great furnaces that answered to military needs.

To protect and contain.  Perhaps to dream.  

Here we will shovel the snow for the foreseeable future, watch for changing seasons and welcome in vaccines – all the while looking forward to leaning on, near, or over, a fence in better times. Flummoxed indeed.

Masked in trying times

Winter solitude –

in a world of one colour

the sound of wind

Matsuo Basho, 17th century Japanese Haiku master

Forsythia holding up the season of snow

A patch of low sunlight wends its way through the bare branches of the Forsythia shrub outside the window – I’ll cut a few boughs to force blooms soon and seek some level of comfort. The lilac shrubs, and the maples high above, have buds swelling for future flower.  A heavy cloak of snow covers the bulbs deep in the soil, preparing to burst into daffodils, tulips and alliums come spring.  A quiet time in the garden?  Hardly.

However, the longer I stare, icy crystals mock me. My nose presses up on the window pane and eyes glaze as the stark white of a pandemic February taunts me. The very act of my breathing heats the window with fronds of frost – botanical fantasies. As if writing a cold line of seasonal dismay, tracks mark out where a fox has broken through the layer of snow on its way past the bird feeder. The grass is masked by snow.  

Masked. 

As this is certainly the season, along with a global reason, masking comes to mind. By now you no doubt have a suite of masks of your own:  handmade, elastic or ties, medical, thematic or corporate.  What about be-jeweled or embroidered or pieced?  And now, or very soon, you’re probably layering – three layers at least.  If not – why not?

Did you find it took a few days or weeks to finally feel comfortable with masks?  Did you ever? Do you find it only takes seconds now to feel uncomfortable if you’re without one?  I’m finding the wearing of masks at this time of year beneficial in unexpected ways – they keep my face warmer in this chilly, eastern Canadian landscape.  Masks make my eyes transcend mere functionality as they crinkle in greeting, or look longingly at some uncharted tomorrow, beyond a masked rim.  The mask gives a horizon to eyes bright with hope that we will indeed be recognized – true windows into our souls. They do however, fog my glasses when I need icy clear vision. Ah well.

No doubt there will be tomes written about how communities, nations and the great population of the earth, under threat of viral infection and transmission, against feelings of rights being abrogated somehow, masked in hopes of a better tomorrow.

And it’s happened before. We’re not alone masking in trying times. 

In 13th century China, as told by Marco Polo, serving meals to the emperor meant wearing silk scarves to keep the breath from changing the aroma and taste of the food. I wonder if I should try this as we continue in endless culinary experimentation during lockdown? Do leftovers warrant such care?

Between the 14th and 18th centuries, plagues were frequent in Europe.  In 1619, a physician of Louis XIII, posited that a mask made from boiled cardboard in the shape of a beak with two breathing holes and containing garden botanics such as dried plants, herbs or spice, would prevent infection. Hmmm, birds here might see me as competition for the seeds being put out each day – too dangerous.  And herbs, well, there’s always tea.

1918 – California rail station

The concept of a mask to protect, gained new ground in the 19th century with creations to minimize dust inhalation such as experienced by miners. When in 1861, Louis Pasteur proved his concept of air borne bacteria, well, that raised the bar for modern mask design and their usage today, yesterday and, yes, tomorrow.

Canmore, Alberta, 1918 Children off to school. Camore Museum

This pandemic period began with so many uncertainties but as knowledge grew, so did a niche market for masks.  Through the heroic efforts of neighbours helping neighbours by home-crafting endless offerings of face coverings; to friends and families offering protection to those they loved; to stores offering masks and sanitizer to customers coming in; to artists using masks as new means of creative expression; to myriad numbers of brand items and others online – we masked.

By the end of 2020, jewelers were commissioned to create what might be the most expensive mask in the world.  A $1.5 million dollar mask made of 18k gold and no less than 3,608 diamonds, including space to insert a disposable N-99 mask.  Tempting, but I worry that my gardening gallomping would loosen those precious gems as I planted, weeded and harvested this coming year, so, no.  Although I may find that a simpler mask, perhaps with a trowel stitched into a corner or a bold, cursive warning to an earwig, aphid, or blight, will help when tending to our plants or at the local garden centre or community garden.

Masked on a winter day

Masked.

I’m finding that those fine lines around my eyes are deepening – crevicing – the need to smile with one’s eyes etching time a little deeper.  And I’m saving money on cosmetics too – my perfection will remain well cloaked. But I wonder what other traditions will form? What fashion statements will follow us into the gardens and streets this spring and summer? 

For now, my mask is a belief that all will get better.  My mask tells you I respect you and your right to thrive.  My mask is rooted in history and yet, is temporary. 

The global garden we live and play in, that we were oh-so-familiar with, will come back in so many ways. In time.  Mask on!

James Naismith – masked in Mississippi Mills, Ontario